Exploring Some Cultural Patterns in Saudi Female Drama: A Study of the Literary Implications in The Pianist (2012) and Oh my Mirror

This article examines the implicit cultural patterns in Saudi women's drama, focusing on how these narratives reflect the evolving societal roles and representations of women in literature. Through a detailed analysis of the monodramas of Milha Abdullah and Khamisah Alfarhan, namely The Pianist and Oh, My Mirror, the study explores the contrast between generational values and the changing dynamics within Saudi society. Abdullah's work delves into the cultural values and norms shaping women's experiences, highlighting the shift in Saudi female playwrights' approach to dramatizing women's roles. Meanwhile, Alfarhan's play provides a poignant feminist discourse within the confined symbolic space of a room, representing the limited societal spheres allocated to women. It encapsulates the essence of feminist discourse, contrasting traditional societal norms with the perspectives of the impassioned younger generation. This article incorporates quotations and dramatic elements to elucidate the emotional toll of family relationships and the broader societal struggles women face, thereby uncovering the thematic depth and emotional landscapes portrayed in these dramatic works.