o Escaping Reality in Tennessee Williams's The Glass Menagerie (1944), A Streetcar Named Desire (1947), and Cat On A Hot Tin Roof (1956)

James Weldon Johnson's novel, "The Autobiography of an Ex-Colored Man," was published in 1912. The protagonist, a biracial man, embarks on a journey of racial identity, self-discovery, and passing during the early 20th century in America. This article explores the theme of shedding the veil, utilising intersectionality theory and literary analysis. The protagonist's experiences reflect W.E.B. Du Bois' concept of double consciousness, in which he grapples with being both black and American while striving for self-acceptance. The article examines the protagonist's acceptance and rejection of black culture, illustrating how societal pressures, personal identity, and assimilation influence his decision-making. The protagonist's ability to pass as white is shaped by various factors, including gender, class, and education, which inform his experiences. The article highlights the tension between the protagonist's theoretical appreciation for black culture and his practical distancing from it, revealing the complexities of biracial identity in a racially divided society. As the protagonist matures, his relationship with his heritage evolves, leading him to seek self-discovery and acceptance. The narrative's exploration of double consciousness underscores the ongoing struggles for racial equality and self-identity in both historical and contemporary contexts. Through nuanced analysis, this article contributes to a deeper understanding of the intricate interplay between race, identity, and societal expectations, as portrayed in Johnson's groundbreaking work.